- April 2017
- March 2017
- February 2017
- February 2016
- January 2016
- December 2015
- November 2015
- August 2015
- May 2015
- April 2015
- October 2014
- September 2014
- June 2014
- May 2014
- April 2014
- March 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
Sunday, January 9th at Odd Ball Films
If you are a student, independent animator or professional working on a side project, share your work with us! Show your work or work in progress and get insight and feedback from our local community. We represent a variety of backgrounds & experience from industry professionals to animation students.
We will also be showing some surprise films from Europe……
Submit your work or work in progress by December 2015!
The Art of being Brave: Women in Film
A noteworthy event on December 2, 2015, at 7:00 pm hosted by the Commonwealth Club. Brenda Chapman and Zoë Elton, two predominate women, will be discussing film, animation, women’s leadership and how cartoons display essential aspects of our world and our roles within it. Brenda Chapman is an Academy Award-winning Director from Brave and Zoë Elton is the Director of Programming, Mill Valley Film Festival.
Just last month there was an initiative set into place by another organization, Women in Animation. They decided to set a goal to create job equality in the animation workforce by 2025. A lofty goal considering that the US is a dismal 28th on the global gender equality list, this may be a far cry to reach it. As it stands now, there are 4 men for every 1 women in the animation industry, roughly 20%……ouch.
Out of sixty Animated Short Films submitted to The Academy of Motion Picture Arts and Science, 10 films will advance in the voting process. One more vote remains in December with results of the final five to be announced January 14, 2016. The 88th Academy Awards will air on February 28, 2016.
Congratulations to Ron Diamond’s showcasing of four films being nominated! Our recent ASIFA-SF screening and discussion included three of these nominated shorts “Love in the Time of March Madness,” “Sanjay’s Super Team,” and “World of Tomorrow,” with a fourth short, “We Can’t Live without Cosmos,” showcased at an earlier screening. Good luck to all the film nominated!
Listed in alphabetical order by title, with their production companies:
“Bear Story (Historia De Un Oso),” Gabriel Osorio, director, and Pato Escala, producer (Punkrobot Animation Studio)
“Carface (Autos Portraits),” Claude Cloutier, director (National Film Board of Canada)
“If I Was God…,” Cordell Barker, director (National Film Board of Canada)
“Love in the Time of March Madness,” Melissa Johnson and Robertino Zambrano, directors (High Hip Productions and KAPWA Studioworks)
“My Home,” Phuong Mai Nguyen, director (Papy3D Productions)
“An Object at Rest,” Seth Boyden, director (California Institute of the Arts)
“Prologue,” Richard Williams, director, and Imogen Sutton, producer (Animation Masterclass)
“Sanjay’s Super Team,” Sanjay Patel, director, and Nicole Grindle, producer (Pixar Animation Studios)
“We Can’t Live without Cosmos,” Konstantin Bronzit, director (Melnitsa Animation Studio)
“World of Tomorrow,” Don Hertzfeldt, director (Bitter Films)
See ones of Disney’s boldest movies as it turns 75
Fantasia was originally released in 1940, coming after such big hits as Snow White and the Seven Dwarfs and Pinocchio. A beautifully made film that blends live action and classic animation with classical music as only “the Magic of Disney” can. Though it wasn’t considered a huge success, at first, it was the first film shown with stereophonic sound and even today still ranks 5th in AFI top ten animation films http://www.afi.com/
It is being theatrically re-released and features an exclusive introduction and performance by The Philadelphia Orchestra, led by Yannick Nézet-Séguin. See it again in all of its glory on the silver screen which began October 8th at The Castro Theater with additional showings at Cinemark theaters until November 18th.
Check Local theaters and times. http://www.fantasia75.com
Additionally, you can see original art and even a short documentary on the film at the Walt Disney Family Museum. http://www.waltdisney.org
Short notice, but if you have time Saturday you might want to check this out.
|SATURDAY MORNING AT THE BALBOA POPCORN PALACE:|
ASIFA-SF WANTS TO SHOW YOUR RECENT WORK AT OUR 4th ANNUAL ASIFA-SF SPRING FESTIVAL
THURS. JUNE 11 @ 7 PM
SHOW YOUR NEW ANIMATION ON DVD AT DOLBY LABS IN A STATE OF THE ART THEATRE
ALSO SEE RARE CLASSIC CARTOONS ON 35MM FILM!
CALL FOR ENTRIES ENTER OUR 4th ANNUAL ASIFA-SF SPRING SHOW
We are accepting entries from college students, independent and professional animators. Membership in ASIFA-SF is not required. We prefer shorts under 9 minutes. Send us a DVD by May 26th if possible. Works selected will be listed on the events flyer. If the work isnt finished write us what to expect. Late entries will be accepted. No entry fee. Send entries on a DVD (film file, we may not be able to show Data files and can not download files over the Internet) Mail to Karl Cohen, 478 Frederick, SF, CA 94117 firstname.lastname@example.org
This year the celebration is on Thursday, June 11, 7 PM at Dolby Labs, 100 Potrero Ave. SF. Arrive early to sign in. Program will end with a screening of 35mm prints of animated classics.
ASIFA-SF, the Bay Area’s animation association
and the SF State Animation Society present
CAREERS IN ANIMATION
Sunday, April 12 at 1:30 PM
SF States Coppola Theatre
Fine Arts building, room 101
Free, public invited
Our annual event will discuss networking, getting hired, current business trends, the careers of our panel members and most importantly the panel will answer your questions.
SCOTT KRAVITZ, recently worked in Vancouver as the Animation Supervisor on the films Elysium and Chappie. He has moved back to San Francisco and is presently animating a film for Google that can be used on Googles Android and on other devices. In the future he expects to do a lot of work locally using new technology.
TOM KNOTT, the former director of the Ottawa International Animation Festival and Los Angeles International Animation Celebration, has recruited artists for such films as The Iron Giant, Robots, Coraline and The Little Prince. Tom has written for various publications and has lectured on animation history and production. He is currently producing a short film in San Francisco.
CHARLIE CANFIELD, a long time resident of San Francisco. Charlie is a 4-time Emmy award-winning animator, designer, and director. He has created sequences for film, documentaries and ads for over 25 years. His work ranges from drawn cartoons to computer graphics, special effects, and motion control camera shooting for employers such as Colossal Pictures, WildBrain Inc, Industrial Light and Magic, Digital Kitchen, Mondo Media, MTV, Nickelodeon, Alpha Cine, and many independent filmmakers. His work has been shown at international film and animation festivals including Ottawa, Zagreb, London, Melbourne, New Zealand, San Francisco, Sundance, Anima Mundi, and the World Animation Celebration. He has also been honored by The Northern CA Emmys, The Addys, and Ad Age.
JOHN HAYS has a unique global perspective on the industry. After post graduate studies at CalArts he freelanced between Mill Valley Animation, ILM, Lucasfilm, and the legendary (Colossal) Pictures. He became Colossals first staff animator, rose quickly to Director and then was able to build on his overseas experience that brought in talent, resources, and projects from around the world. In 1994 John co-founded WildBrain, Inc. where he served as Creative President, Director, and Head of Development. The company grew to be the biggest animation studio in San Francisco. John left WildBrain in 2009 to direct the animation on the indie feature, Howl, which opened the 2010 Sundance Film festival. Today his Dogpatch based production studio Super Stealth Startup is in production on the 4th in a series of Nestles commercial campaigns for McCann/Erickson, Paris, France. The production is being done at The Monk Studios, Bangkok, Thailand.
If you liked Laika’s latest film, ‘The Boxtrolls’, then you may want to check out the exhibit at the Cartoon Art Museum featuring concept art from the film. Runs now through February 15. http://cartoonart.org/2014/09/the-art-of-the-boxtrolls/
The Mill Valley Film Festival is underway. Here’s some animation screenings you might want to check out. Their website is here: http://www.mvff.com
“Looking out my window, I see my world has changed. The sun won’t rise this morning.” Whether you desire dark, introspective, or tubed-meat undertones, this year’s stop-motion and hand-drawn animation shorts program will take you on locomotive rides both comedic and surreal. Kicking off the journey is Tamara Hahn’s Gnosis (US, 5 min), featuring a monster’s desire to steal a baby, followed by Santiago “Bou” Grasso’s Father (Argentina, 12 min), in which a woman ponders over her dear wartime leader. José Miguel Ribeiro takes us on a gorgeously illustrated Journey to Cabo Verde (Portugal, 17 min). Then Eric Cheng’s Higher Sky (US, 6 min) slaps a kung-fu lesson to a monkey and swallow. Brats and chicken sizzle alive at the beach in Carlo Vogele’s Wurst (US, 6 min). The animation train screams to a stop with visual effects master Phil Tippett’s first installment of Mad God (US, 11 min), where characters writhe in macabre, nightmarish splendor.
Nonverbal or in English. “So this bird’s got to fly…I’m tellin’ you, honey, this bird’s got to fly.” This program of animated shorts from around the world is sure to delight children of all ages. The Argentinian Llama Drama gets us off to a hilarious start. The French LaMi (in three segments) tells the story of the notes of the scale as they make friends. Miriam’s Kite from Estonia follows the adventures of Miriam and her duck. Nunavut, Canada brings us the Inuit The Orphan and the Polar Bear. The evolution of the New World is a bright, bouncy short short from the UK’s Oliver Sin, followed by a bright and bouncy 13 from Marin’s own Cynthia Pepper. The Australian The Gallant Captain is a boy on a mission. Through sand drawing, the classic hoop is transformed and erased and transformed again in Tess Martin’s Hula Hoop A blend of 2D and 3D, Rabbit and Deer, our centerpiece from Hungary, will amaze and tickle you. Russia’s Tin Can bounces down some funny roads. The poignant, child-produced The Man Who Loved to Whistle is more of a heart-wrencher; it was produced in Croatia by our cultural partner, SAF Cakovec. All ages.
FOCUS ¡VIVA EL CINE! Nonverbal Handdrawn animation and music from luminaries in Brazil’s contemporary music scene enhance this wordless tale of a boy’s travels to find his father, who no longer can earn a living from the land. Traveling from his rainforest playground through the cotton harvests and factories where people like his father find work, to the anonymous city littered with a confusion of signs, billboards, and flyers that tout the values of a commercialized society, the boy keeps looking for his father. He sees his birds, trees, and song replaced by endless lines of trucks, piles of trash, and displaced people and knows only that he wants to restore his happy family and life of color and wonder. But the new world has chosen progress—armored monsters razing forests and people turned into identical, anonymous commodities—over traditional ways of life, cultural heritage, and natural diversity. Awash with color, motion, music, and wonder, The Boy and the World is an experience meant for the big screen, even as it precisely captures the viewpoint of one so small. Ages 6+
IN ASSOCIATION WITH THE LATINO COUNCIL AND HISPANIC CHAMBER OF COMMERCE
FREE OUTDOOR SCREENING The City of Mill Valley, Mill Valley Recreation, the Chamber of Commerce, and MVFF invite you to a free outdoor screening of a croony, swoony animation classic that’ll delight the young—and the young at heart! Bugville, a bustling insect community, sits at the edge of a city garden that’s threatened by foot traffic and construction. Good-hearted grasshopper Hoppity returns to Bugville to find Mr. Bumble and Honey, his lovely daughter—and Hoppity’s bee-loved—fearing for their community’s safety from big-shoed humans. They should worry more about C. Bagley Beetle and his droning henchmen, Swat the Fly and Smack the Mosquito. Beetle wants Honey for himself—and he doesn’t care who he has to squash to get her. Hoppity thinks he’s found a way to give the bugs a safe and beautiful home, but it’ll require trusting some “human ones” and foiling Beetle’s schemes. The whole family will enjoy the rich colors, buzzy animation, and swinging songs by Hoagy Carmichael and Frank Loesser.
Preceeded by Mill Valley Redux, Tiffany Shlain and Devon McAllister’s homage to Rita Abrams’s 1970 hometown hit.
Movie screening is free with general admission seating. Please bring your own blanket or low beach chair. Snacks may be purchased with proceeds to benefit community programs. For more information contact Mill Valley Recreation: email@example.com
Nonverbal. A real forest landscape is the backdrop for a 3D animated story about the tiny, scuttering creatures that live there, including our petite protagonist: a recently hatched ladybug who is minus one wing and one family after an encounter with a gang of flies. Finding refuge in a tin full of sugar cubes–part of a picnic abandoned by two humans driving, of all things, a VW Beetle–the ladybug is carried off by a pillaging troop of black ants hungry for the sweet loot. But a red ant wants to take the booty back to his own queen, and right in the middle of the epic battle for the sugar is the plucky little ladybug. Despite being on location in Provence, les insectes of Minuscule don’t speak a word of French, or a word of anything, in this buzzed-about film. There is no rapid-fire dialogue but lots of Tati-esque sound effects and a wordless immersion in the wondrous–and sometimes menacing–natural world. All ages.
WITH SUPPORT FROM THE CONSULATE GENERAL OF FRANCE IN SAN FRANCISCO AND THE FRENCH AMERICAN CULTURAL SOCIETY
Sponsored by Bellam Self Storage
Conversations with filmmakers from films that are part of awards season, these discussions are designed to illuminate the creative filmmaking process. Edited versions of the discussions will be available at variety.com
Steve Chagollan – Senior Features Editor, Variety, will lead the discussion on The Lego Movie.
Invited guests: Directors Phil Lord and Christopher Miller
Sponsored by Variety
The revered Studio Ghibli retells one of the oldest of Japanese legends. An elderly bamboo cutter discovers a tiny child growing out of a shining bamboo shoot. He carries her home, even as she begins to magically grow in his hand, and, along with his wife, adopts her. When another bamboo shoot starts gushing with gold and silks, the woodsman becomes convinced their beautiful “Princess” daughter is destined for a grander existence and uproots the family to an opulent life in the city. But her background is more magical than even the princess herself suspects. In a stunning style that is at once evocative of the woodblock prints of Hokusai and Hiroshige and the broad brushstrokes of animators John and Faith Hubley, director Isao Takahata–in his last film before retirement–paints a perfectly elliptical ending of love and loss.
Sponsored by Community Media Center of Marin
Thrill to these depth-defying shorts, all in 3D! Watch a ribbiting rogues gallery in Robert Bloomberg’s Frogs & Friends (US, 7 min). Jason Jameson and James Hall’s One Night in Hell (UK, 7 min) depicts a skeleton’s underworld journey. Did Georges Méliès create the world’s first 3D film? See for yourself in The Infernal Cauldron (France, 3 min). Commissioned by his granddaughter, Suzanne Lloyd, this iconic sequence, from Harold Lloyd’s Safety Last, originally shot in 2D, wasmagically transformed by the 3D conversion wizards at Legend3D (US, 4 min excerpt). A train journey goes surreally off track in Santiago Caicedo’s Moving Still (Colombia, 3 min), while Jeff Boller’s A Geek Like Me (US, 4 min) is a tribute to shared interests. Joséphine Derobe’s Diary of a Fridge (France, 9 min) chronicles 30 years in a family’s life. All Is Not Lost (US, 4 min) is a kaleidoscopic view of human connection via OK Go, Pilobolus, and Trish Sie. Bob Venezia’s Pieces of the Fair (US, 3 min) reveals the secret life of carnival rides. David Silverman’s The Longest Daycare (US, 5 min) pits Maggie Simpson against the Ayn Rand School for Tots. Trish Sie’s White Knuckles (US, 3 min) combines 12 pups and a rock band. In Lauren MacMullan’s Get a Horse! (US, 6 min), Mickey Mouse takes a special wagon ride. And finally, Patrick Osborne’s Feast (US, 6 min) shows one man’s love life from his dog’s perspective. Ages 6+